In this module you will explore and develop a variety of creative and innovative studio, practice and text-based approaches within a range of subjects. This will allow you to establish a reflective and critical context for the development of advanced work within your chosen discipline, informed by research and contextual knowledge.
In this module you will explore key critical and disciplinary debates in contemporary creative and cultural practice and theory at an advanced level. This will enable you to establish a comprehensive investigative approach to creative practice and methodologies, and one that explores the critical interrelationship between theory and practice.
In this module you will examine a diverse range of advanced approaches to art and design research, enabling you to produce an advanced, articulate and coherent body of work that reflects a personal vision and language that is appropriate to your chosen field. You will also examine, critically evaluate and develop the language(s) used to articulate research in art and design.
In this module you will develop a proposal for work within a community or collaborative context focusing on the needs of a particular group. You will develop the skills and knowledge required to create collaborative and participatory work in a wider social environment, resulting in a research-backed proposal for a practical project.
Using research methodologies, concepts and processes previously explored in the course you will evaluate interrelationships between theory and practice. You’ll produce a portfolio or public exhibition of a substantial body of practice work supported by critical and reflective written work that demonstrates your resolution and expertise.
You can find more information about this course in the programme specification. Module and programme information is indicative and may be subject to change.
Dr Leeson is known for her collaborative and participatory work in East London, including the Docklands Community Poster Project in the 1980s. Her work with young people has been recognised by a Media Trust Inspiring Voices award and Olympic Inspire Mark, while her public artwork The Catch was voted a London 2012 Landmark. Her project Active Energy has received the Best Arts and Green Energy award from Regen SW.
Dr Kokoli's interests are situated within feminist art history, theory and practice, particularly the relationship between feminism and psychoanalysis, gender politics of popular visual culture and contemporary feminist movements. She is author of The Feminist Uncanny in Theory and Art Practice (Bloomsbury, 2016) and editor of Feminism Reframed (Cambridge Scholars, 2008) and The Provisional Texture of Reality: Selected Talks and Texts by Susan Hiller (1977-2007) (JRP Ringier, 2008).
Simon Read is concerned with environmental change and works with coastal communities to help foster understanding of coastal and estuarine issues. He is also engaged in the management of the liminal intertidal zone. He has built experimental structures to manage tidal flow through saltmarsh, including A Tidal Protection Barrier for Sutton Saltmarsh on the River Deben in Suffolk and Falkenham Saltmarsh Tidal Management Scheme.
Alberto Duman’s interdisciplinary work is located at the intersection between art and urban spatial practice across diverse media and collaborative partnerships, with particular concerns to social context and the role of art in the cultural production of urban space. He is Artist in Residence at UEL with Music for Masterplanning.
Professor Evans is currently running two AHRC-funded research projects: Hydrocitizenship, and smART Cities and Waste. Prior to academe he worked in community arts as a director of Inter-Action and directed the London Association of Arts Centres.
Professor Boyce is a key figure in the Black-British art scene, particularly known for artworks that speak about race and gender. In 2007, she was awarded an MBE for her services to art, and was elected Royal Academician in the category of Painting in 2016. Her works are held in the permanent collections of Arts Council England, Victoria and Albert Museum and Tate.
Dr Raina's research explores the links between culture, conflict, poverty and development, particularly how crafts have changed the lives of women who have borne the impact of conflict in Kashmir. Her current research focuses on how Muslim women cope in other conflict zones, and the survival strategies of women in Afghanistan.
Emma Dick is leader of the theory and research modules, Lecturer in the Visual Culture, History and Theory of Fashion and a member of the Diasporic & Transcultural Practices Research Cluster. Emma is currently working on development projects empowering women in Central Asia by linking textile artisans to global markets.