BA Honours Fashion Design, Styling and Promotion Degree
At a glance UCAS code: W239
- Course length
- 3 years full time
- Course start:
- Induction week from October 2012; EU and International student orientation from September 2012
- Course Location
- Hendon
- Overview & facilities
- Location & map
- Content & modules
- Entry & applying
- Fees & funding
- Careers & placements
- Open days
- Portfolio and Interview
- Facilities
- Our Tutors
Overview & facilities
Our BA Fashion Design, Styling and Promotion Degree with Honours was designed especially for the person who dreams of a career in Fashion as a stylist, show producer or art director, or working with words, graphics, photography and image making to create magazine editorials and the promotion, presentation, branding and packaging of Fashion - in other words - all the exciting things that go on within Fashion after the clothes have been made.
On the BA Fashion Design, Styling and Promotion Degree with Honours, you will benefit from having a first year that introduces you to fashion through a series of Fashion Awareness projects and also gives you the opportunity to explore photography, illustration, graphics skills, portfolio presentation, show production, promotion and exhibition. Included in the second year is a six-week work experience where you are based full time with the designer/practitioner/show producer/PR company of your choice.
Your third year concentrates on the research and development toward producing your final portfolio of work.
The course is enriched and supported by History of Art, Architecture and Design modules, which contextualise the academic work within the Fashion modules, and helps connect your thinking to the cultural, political, socioeconomic and philosophical issues that inform our society.
At the end of your degree you will exhibit your work at the Middlesex University Art and Design Degree Show. The show is a celebration of the end of your studies and the start of your creative career, it's a great opportunity to show off your talents to friends, family and creative industry employers.
MIDDLESEX FASHION NEWS
Middlesex Fashion, Design, Styling and Promotion students go tropical with their pop-up Flash Paradise store in Brent Cross shopping centre. See the video here
Middlesex University is a member of The British Fashion Council Colleges Council

Location & map
Our art and design courses are based in the new £80 million purpose built The Grove on our Hendon campus. Here you will enjoy the latest world class facilities while being both part of an innovative art and design community.
Address: Middlesex University, Hendon campus, The Burroughs, London NW4 4BT UK
To find out how to get to the campus see Travel Directions to Hendon campus. The nearest tube station is Hendon Central on the Northern line.
Nearest halls of residence
There are four halls of residence either on or near to Hendon campus. Usher Hall is on campus, opposite the College Building.
latt and Writtle Halls are at the same location in Colindale, a 20 minute walk from campus.
Ivy Hall is also a short distance away by public transport in Cricklewood.
Content & modules
We cover essential fashion design skills because although you are not required to make clothes as part of this degree, an understanding of how clothing is constructed is relevant. These include
Research
fashion awareness
fashion media
Portfolio presentation
styling
branding
illustration
Graphic skills modules and workshops include
photography
computer generated image
screen-printing
letterpress
etching
relief print
The degree is further enriched by History of Art and Architecture modules that run through all three years of the course, providing a contextual framework that relates fashion design, styling and promotion to historical, philosophical, cultural and socioeconomic contexts.
Year One
The first semester of the first year is common to the BA Honours Fashion Design, Styling and Promotion and the BA Honours Fashion. We will support any student who may wish to change pathway through their optional module choice. Introductory modules that cover research, fashion awareness and design Workshops in styling, branding, visual communication design.
Year Two
The developing of the use of graphic skills and magazine design including photography; interactive i.e. TV and web, design; also advertising, copywriting, promotion and publicity and their application to fashion.
Year Three
The defining of a personal design identity and the design and design development employed in the refining and production of a final portfolio.
We place particular emphasis on good attendance and it is part of our assessment criteria. Whilst we expect our students to be self motivated and able to work on their own and use outside sources for research and inspiration, quite simply, if the student does not attend, they cannot be taught and they do not learn.
Modules
- Year 1
- Fashion Skills One (30 Credits) - Compulsory
- Extend the range of skills used in fashion design. Introduce and encourage fashion awareness.
- Introducing Fashion (30 Credits) - Compulsory
- Introduce the academic and professional environment that lays a foundation for Future study on the B. A. Fashion and B.A Fashion Design, Styling and Promotion Programmes. Encourage the discovery of an individual style and/or identity through exploratory and experimental work. Employ the basic techniques in research and design, illustration, styling and presentation.
- Visual Communication Workshops 1 (30 Credits) - Compulsory
- This module aims to provide an opportunity to explore a variety of different graphic media and understand their value as methods of visual communication. It aims to encourage an inventive and experimental response to the use of processes and materials in workshop areas chosen from photography, screenprint, etching, lino print, letterpress, 3D design, magazine design, life drawing, animation, electronic design and bookbinding. The module also aims to offer students the opportunity to learn a range of transferable practical and technical skills in art and design, through material handling, exploration of process, production and presentation. This module also aims to provide students with the opportunity to identify and develop a range of specific transferable skills which will enable each student to independently engage in effective learning at first degree level. Additionally the module aims to provide an initial framework for the acquisition of personal and career development skills. Both of these main aims are further developed at level 2 and 3 through subject specific modules.
- Year 2
- Developing Fashion (60 Credits) - Compulsory
- Encourage a widening of awareness of the fashion industry. Develop research skills, analyse contemporary style and learn how to create, manipulate and rework imagery to communicate ideas. Develop observational drawing skills necessary for visual communication. Develop the students interest in surface pattern in the form of embellishment, embroidery, beading, and printing. To provide the opportunity for a work placement within the Fashion industry.
- Visual Communication Workshops 2 (30 Credits) - Compulsory
- This module aims to develop an understanding of specialist subject areas of creative practice through studio and workshop based activities. It enables students to develop individual approaches to visual communication and to begin to identify broad areas of interest that could form the basis for further specialist study on their programme. It will encourage the acquisition of intermediate specialist skills to work effectively in creative workshop areas chosen from; advertising, life drawing, publicity, editorial photography, publishing, magazine design, animation, etching and print, interactive and web design. The module aims to further develop skills in using creative processes analysing, evaluating visual pieces of work and presentation methods.
- Year 3
- Critical and Contextual Proposition (30 Credits) - Compulsory
- This module aims to enable students to identify and deliver a research project that is the product of sustained and creative engagement both with a range of research resources and an area of studio-practice. The module will consolidate skills of project identification, research organisation and development, time management, written and visual analysis and the presentation of a critical argument/thesis. The module further consolidates the development of skills required for autonomous learning.
- Establishing Fashion (60 Credits) - Compulsory
- To consolidate all previous learning Design, build and develop a cohesive body of Fashion based work employing specialist skills. To realise a final portfolio/collection of work.
- Professional Practice in Design 3 (30 Credits) - Compulsory
- Working in the context of the major design project the module aims to enable students to audit and articulate their design practice in relation to the different fields of knowledge design and communication, professional practice, technologies and processes, history and theory developed throughout their studies.
Entry & applying
A minimum 240 Ucas tariff points and Foundation Diploma in Art and Design/Fashion is desirable also GCSE grade C in English Language Applicants will be invited to attend portfolio interview.
Entry requirements
At least three passes at Level C and above in GCSE in academic subjects, including English language A foundation diploma in Art and Design, or A National Diploma in General Art and Design, or, where appropriate, equivalents such as a recognised professional qualification in one of the design disciplines: fashion/textiles, three dimensional design, interior or spatial design, product/industrial design, visual communication/graphics, furniture, ceramics, jewellery, metals, glass or architecture. Applicants will be invited to attend portfolio interview.
We also offer two 12-week long courses successful completion of which guarantees you a place on this course.
- Foundation in Art and Design, Intensive Short Course
- Foundation in Digital Arts, Intensive Short Course
Qualifications accepted
For a comprehensive list of qualifications accepted by Middlesex, see further information under entry requirements
English language requirements
You must have competence in English language and we normally require Grade C GCSE or an equivalent qualification. The most common English Language requirements for international students are IELTS 6.0 (with minimum 5.5 in all four components) or TOEFL internet based 72 (with at least 17 in listening & writing, 20 in speaking and 18 in reading).
Middlesex also offers an Intensive Academic English course (Pre-Sessional) that ranges from 5-17 weeks depending on your level of English. Successful completion of this course would meet English language entry requirements. For more information on applying for the pre-sessional please email english@mdx.ac.uk.
Entry into year two or three (transfer students)
If you have achieved a qualification such as a foundation degree or HND, or have gained credit at another university, you may be able to enter a Middlesex course in year two or three. For full details of how this works see transfer students
UK/EU applicants with existing higher education qualifications
If you have already been awarded a qualification at the same level as the course you are applying for, you may not be eligible for a tuition fee loan, see fees and funding for more information.
Applying
Applications for UK and EU students should be made to UCAS – the Universities and Colleges Admissions Service. The institution code for Middlesex is M80, and the code name is MIDDX. You also need the code for the course you wish to apply for – this is found in the 'at a glance' box above.
International students from outside the EU can make a direct application. We have a network of regional offices across the world to assist you with your application. They have worked with people from your region coming to Middlesex before and can help. Read more on international applications
You might also be interested in the 12-week long Foundation course, which runs three times a year, successful completion of which will guarantee a place on a nominated BA Honours programme:
Fees & funding
The tuition fee for the 2012/2013 academic year for UK/EU students is £9,000.
The tuition fee for the 2012/2013 academic year for International students is £10,400.
Click here to find out more about fees, funding and our scholarships in 2012.
Careers & placements
As a graduate, you could become a Fashion Magazine Editor, Photographic Fashion Stylist, Fashion Illustrator, Art Director, Fashion Show Producer, Fashion Promoter, Trend Forecaster, Fashion Web Designer, Fashion Agent, Beauty Editor, Fashion Journalist, or Fashion PR Manager.
The existing fashioncourse has had successful graduates whose talents and skills lie within the huge employment market in the design, styling and promotion of fashion. They include
- Richard Gray - internationally known illustrator and art director
- Richard Sloan - who graduated only two years ago and is already successfully styling and art directing such as style icons such as Kylie Minogue and Coldplay and stylist for the designer Robert Cary-Williams.
Middlesex has strong links with art and design employers. Our industry partners sponsor final year students, give visiting lectures, and art and design agencies, organisations and other employers attend our final year degree show each year.
A period of work experience of approximately six weeks is embedded in the degree in the middle of the second year. This is in the weeks leading up to London Fashion Week in February. It is an assessed part of the degree offering a wonderful opportunity to work with fashion based designers, show producers, magazines, PR companies, stylists and photographers in their studios at their busiest time of the year and often leads to job offers. Students are supported by the Fashion tutors and the Placement Officer
Our Careers Service offers you a range of support both while you’re studying with us – and after you’ve graduated.
Placements
Work placements are proven to increase your success in the job market – as well as being a fantastic experience. We encourage as many students as possible to grasp this opportunity. As part of your second year you will have the opportunity to carry out a placement of a minimum of 4 weeks. This will provide you with first-hand experience of a fashion organisation. We have a Placement Office which will support you through the placement process.
Past students (alumni)
Graduates from the fashion courses at Middlesex include successful students whose talents and skills lie within the huge employment market in the design, styling and promotion of fashion. They include:
- Richard Gray - internationally known illustrator and art director
- Richard Sloan – a recent graduate who is successfully styling and art directing style icons such as Kylie Minogue and Coldplay and stylist for the designer Robert Cary-Williams.
Open days
Open Days
Open days for this course are held at our Hendon campus in London. See the location and maps tab for information on how to get here.
University Open Days
Open days offer you the opportunity to learn more about Middlesex, and get a feeling for what life is like on our campuses. Open Days include Welcome and Subject talks, campus and accommodation tours and opportunities to find out more about other aspects of studying at university, these include a guide to applying to University, and a fees and funding talk.
Book Your Place Now
Click to find out more about our undergraduate Open Days and book your place now.
If you can't make our open day, there are more opportunities available for you to come and visit us. Campus tours are available throughout the year if you would like to have a look around. Led by Student Ambassadors, they take place most Wednesday afternoons at 1pm. You will get a feel of the campus atmosphere, plus the opportunity to ask any questions about being a student at Middlesex University. Click here to book your campus tour.
Portfolio and Interview
The application is just the first step in our selection process, we also invite you to an interview and review your portfolio of art and design work. We’ve put together some simple notes to help you prepare:
Your portfolio
Your interview
The interview itself usually lasts about 15 minutes, but please allow an hour as this usually includes a tour of our facilities. We use the interview to allow us to find out more about you, to better understand your aspirations and interests and for you to learn more about us. The interview will explore why you want to study the subject with us, there will be no trick questions, so don't be too nervous.
Visit an open day
We strongly advise all prospective applicants to attend an Open Day. You will be able to talk to staff and students, listen to talks on the subject areas that interest you, ask questions, go on a workshop tour and get a good feel for the campus and its facilities.
Facilities

The Grove
From September 2011 this course will be taught at The Grove in Hendon. Click here for your virtual tour.
Facilities
Our art and design facilities are second to none. There is a wealth of specialist technical help with professionals dedicated to helping you achieve excellence in our workshop areas.
Take a look at our Art and Design Facilities Gallery to explore our specialist facilities for fashion design, stlying and promotion in more detail.
As a student you can also hire specialised equipment for use in your assignments.
Our Tutors
Your tutors will be artists and designers themselves; we believe in practicing what we preach and being able to showcase what our lecturers have achieved themselves. You will be learning from the best and have the opportunity to utilise the skills and contacts of others.
To carry the technical skills forward into the next generation we have technical staff who have worked at couture level with incredible designers like Marios Schwab and Viviene Westwood. These highly skilled and experienced academics will not only encourage and inspire you, but teach you skills and inject knowledge rivalled by no other university.
Gillian Charles (Director of Programmes - Fashion, Textiles, Jewellery)
Gillian completed her wonderfully rigorous education through a three year course specialising in Fashion. The woman who taught her technical skills had been trained in the Balenciaga atelier when Balenciaga was still there. Fashion Illustration was taught by the wonderful stylist Michael Dunne and life drawing classes, run by artist Andrew Verster, were preceded by a six month course in Anatomy. Once she knew the name and function of every muscle in the body she could draw them all too. The depth, focus and rigour of Gillian’s own education informs her ideas for education to this day.
After an intensely hard working, lucrative and energising career in the fashion industry – ending in over nine years as the Design Department Manager for Warehouse – Gillian found herself teaching at the Royal College of Art. “That first day in that hallowed building was one of the most important in my career as I fell irrevocably in love with the academic side of Fashion and vowed to move to teaching within a university.” She quickly succeeded in gaining a part time permanent post at Middlesex University starting in 1994. In November 2001 she took over as Programme Leader of BA Honours Fashion and was ambitious not only to maintain the brilliant reputation of the degree, but also to build on it. Gillian so developed first the BA Honours Fashion Design, Styling and Promotion degree and then added BA Honours Fashion Textiles to the portfolio. They have both proved enormously successful, and as Head of Fashion at Middlesex she continues to be ambitious and plans to extend the portfolio even further.
Veronika Kapsali
Veronica has worked with Middlesex since 2009 and has successfully set up and run our innovative Fashion Textiles degree. She is now responsible for developing and teaching MA Fashion and helping the next generation of fashion professionals develop their careers and launch themselves into the industry.
Veronika studied Fashion Textiles herself at the London College of Fashion. Moving into the fashion sector after graduating, she has held a variety of roles including designer, consultant and lecturer while conducting research into Biomimetics and smart materials. She has lead several consultancy projects for clients including London College of Fashion, Western Australian Department of Agriculture and the US Military Science Commission. Her skills are not only research driven, but also extensive in fashion design, textiles, printing, pattern cutting, sustainable production and clothing functionalities.
Meg Osborne
After leaving school and starting work for the Ministry of Defense for 8 years, Meg found a creative outlet in making clothes. She decided to take this hobby and turn it into a career by enrolling in night classes in life drawing and fashion illustration, getting a portfolio together and applying for a place on a BA Fashion course at the London College of Fashion.
Meg won the Royal Society of Art award for Fashion Design in her second year at University and from this she spent a month in Japan as a guest of the British Council, before graduating in 1999 with a 1st Class Honors Degree. The year after graduation she was asked to re-design the British Scout Movement uniforms, which was the first re-design since 1950. Since then, Meg has produced her own collections, worked as a freelance designer and stylist, as well as being an Associate Lecturer at the London College of Fashion for 8 years. She joined Middlesex in 2009 and is now the course leader of BA Fashion.
Richard Sorger
Richard Sorger graduated from Middlesex in 1991 with a first in Fashion Design. Upon graduating he moved to Milan for a year to teach fashion design in a private school, before returning to the UK to work for London based designer Abe Hamilton. After two years, Richard decided to concentrate more on the teaching side of fashion design, taking up posts at various institutions including The London College of Fashion, Middlesex University and Central Saint Martins. From 1999 to 2001 Richard and Benjamin Kirchhoff designed a womenswear label together, called SorgerKirchhoff, selling in London and Paris. (Clients included Björk and Kirsten Dunst.) In 2004, Richard started designing his eponymous label, (clients included Courtney Love, Jennifer Lopez, Cindy Crawford, Kate Beckinsale and Heidi Klum,) and in 2009 he launched his second line, RJS by Richard Sorger. (Clients currently include Kelis, Alexandra Burke, Cheryl Cole, Alice Dellal, Diane Vickers, Fearne Cotton, Marina and the Diamonds, Sienna Miller, Sarah Harding and Jessie J.) He has been commissioned to produce special pieces for Swarovski and for the Victoria and Albert Museum, who recently acquired one of his dresses for their permanent collection. He has collaborated with Meadham Kirchhoff, Manolo Blahnik (for Meadham Kirchoff) and ASOS. In 2006 he co-authored the book called 'The Fundamentals of Fashion' published by AVA Books.
Lily Parker
Lily comes from a design background, graduating from Nottingham Trent in 2005. She went on to complete a PG Cert in creative pattern cutting for industry, having worked for a year within the industry herself. She trained at Richard Nicoll and has cut patterns for designers including House of Holland and Polltock and Walsh. Lily has run her own label LP.BG for 3 years with business partner Ben Grimes. Having won the New Gen award they now have stockists all over the world, from Matches London to United Arrows and Harvey Nichols in Hong Kong. She is currently cutting and tailoring for Richard Nicoll, consulting for brands such as Felicity Brown, who shows with Fashion East, as well as being involved in the development of Lulu and Co. This season, Lily will be collaborating with shoe designer Charlotte Olympia on a capsule collection to accompany her main line. “I really enjoy having the ability to keep working in the industry while teaching; this gives me the freedom to continue learning as my career develops. I feel I have more to give to the students when I am still within the hub of the industry. I am also amongst the truly exciting people within the British Fashion industry, so I am in touch with trends and what is generally going on – to the benefit of my students!”
Colin R Smith
Colin is our Principal Lecturer in jewellery and accessories. He studied jewellery and graphics at Grays School of Art, Aberdeen and jewellery at the Royal College of Art, before setting up a private practice in Clerkenwell and undertaking various design commissions. Colin was a freelance designer with Carrera Optic (formerly Optyl Brillenmode) from 1983-97, being solely responsible for the design of the Dunhill range of ophthalmic and sunglass eyewear.
He started teaching at Middlesex in 1986 on the jewellery programme. Since then he has held many posts, including the Head of the Integrated Computer Unit in Product Design, Programme Leader in Jewellery, Curriculum Leader of Applied Design, Academic Chair of Applied Design, Link Tutor for various partners and more recently the Head of Collaborative Development for the School of Arts. Colin still maintains an active teaching commitment and has been able to teach the fundamental skills of jewellery making to first year students, as well as working with second and final years students on digital manipulation and presentation. Colin will hold a key role on the Jewellery and Accessories pathway of MA Fashion.
Gwen Fereday
Earlier in her career Gwen worked as a colour matcher for the Fashion and Textile Industry using her knowledge of historical and contemporary colouring methods and materials to cover a wide range of demands. Gwen has matched colours for Phase Eight, Sabre International, Reiss, C&A, as well as smaller design companies and designer/makers. In the area of textile conservation and restoration she has been asked to match the silk background for a Blenheim Palace tapestry repair and was commissioned to dye all the colours for Nest Rubio’s carpet reproduction series that she transcribed from paintings by Holbein and his contemporaries, piecing the designs together from the original carpets found in museum collections and depiction of carpets in the paintings.
Gwen has been asked by a marine archaeologist to test dyestuffs from a Swedish vessel of the East India Company that sank in the 1740s with its cargo intact, and has researched authentic eighteenth century dye recipes. The British Museum Press published her book called ‘Natural Dyes’ in 2003. Currently Gwen is researching colour and synaesthesia for a PhD, working with grapheme synaesthetes and using her skills as a dyer to reproduce their colour stories.




