James Martin Charlton is a dramatist, director and filmmaker.
Doctoral students welcome in areas of stage and screen drama wriiting, dramaturgy, LGB subject matter on stage and screen, theatre and cinema of extremes.
Film and Television
Charlton, James Martin and Moar, Magnus (2018) VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media, 14 (2). pp. 187-198. ISSN 2040-0934
Charlton, James Martin (2017) The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. In: 3rd International Conference in Creative Writing (University of Western Macedonia), 06-08 Oct 2017, Corfu, Greece.
Kenworth, James and Charlton, James Martin (2016) A Splotch of Red: Keir Hardie in West Ham. [Performance]
Charlton, James Martin (2016) Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research, 2 . ISSN 2058-5535
Charlton, James Martin and Moar, Magnus (2015) A desire for immersion: the panorama to the Oculus Rift. In: 24th International Panorama Conference 2015, 9-12 Sep 2015, Namur, Belgium.
Revolution Farm and A Splotch of Red: Keir Hardie in West Ham funded by Royal Docks Trust, 2014 and 2016 (also schools workshops for both plays).