English (full professional proficiency), Spanish (native), Catalonian (native), German (limited working proficiency), Italian (limited working proficiency).
Publications:
Salgado, M (2017) ‘Performing history: Wind tossed (1936), Natural Movement and the hyper- historian’ in Main, L (Ed) Transmissions in Dance: An Exploration of Contemporary Staging Practices. London: Palgrave McMillan, pp 61-84, ISBN 978-3-319-64873-6
Practice as Research:
M.Salgado (2013) Corporeal Cartography. [Oxford University, 22 October]
M.Salgado (2007) I am where I am not. [University of Surrey, Guildford, 17 April]
Creative outputs:
iuSui (2022) Directed by M. Salgado, Choreography A. Berenice [Film/Dance on Screen].
M. Salgado (chor) (2005) Binnacle Notebooks. [The National Centre for Dance, Edinburgh, 25 February]
M. Salgado (chor) (2005) Thoughts on Yerma. [The National Centre for Dance, Edinburgh, 25 February]
M.Salgado (chor) (2003) Movements I & II [Principe Felipe Auditorium, Oviedo, Spain, 4 May]
Keynote presentations:
Salgado, M. (2012) Exploring the power of the dance performer. Sensible Flesh: Rethinking the Body in the 21st Century seminar series at Kings College London February 13th 2012
Salgado, M. (2010) Beyond the surface: articulating the power of the performer paper presented at Congress on Research in Dance (CORD) and American Society for Theatre Research conference, Seattle, USA, 18-21 November 2010.
Conference presentations:
Salgado, M (2015) ‘Re-enacting Natural Movement: Wind Tossed (1936) and the Hyper Hystorian’ in the Choreographing Historical Works, Queen’s University Belfast, November 2015.
Salgado, M. Salazar, D (2015) ‘Synaesthesia, Performance, Immersive Atmospheres’ Artaud Theater, Brunel University 26th of May 2015.
Salgado, M. Salazar, D (2015) ‘Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition’ at ‘The Reflective Conservatoire’ 4th International Conference- Creativity and Changing Cultures. The Guildhall School of Music & Drama,London, 26th February 2015.
Salgado, M (2014) Ghosts in the making: historiographical approaches to choreography in Higher education in Discussion Forum: Ghosts and Spectres in Dance Higher Education (supported by DanceHE). London 22nd of March 2014.
Salgado, M. Salazar, D (2014) Corporeal Inscription in Dance and the Digital Festival. University of Bedfordshire, 26th of April 2014.
Salgado, M. Salazar, D (2013) Corporeal Cartography: Navigating process in the development of an artistic system for dance and sonic art. Researching Music as process. Oxford University 22 October 2013.
Salgado, M. (2013) Corporeal Cartography: Developing and navigating an expressive system for dance, improvisation and sonic art. Improvisation and Digital Arts Festival, Kingston University, 15- 19 April 2013.
Salgado, M. (2010) Between subject and object: Classical Ballet, Foucault and the dancing body paper presented at the International Conference on Fine and Performing Arts, Athens, Greece, 7-9 June 2010.
Salgado, M. (2009) Orthodoxy and Heresy: the codification of Natural Movement, paper presented at Moving naturally: Re-thinking Dance 1900s-1930s, International Symposium University of Surrey, 31 October 2009.
2018-2022 External Examiner: The Royal Academy of Dance. Programme: Professional Dancer’s Postgraduate Teaching Certificate (Berlin and Sydney).
2014-2020 Associate Editorial Board Member: Dance Research Journal, Edinburgh University Press.
2012-2020 Executive Committee Member: Society for Dance Research UK
2012-2015 Chairman of the Regional advisory committee (London and Middlesex): The Royal Academy of Dance
2005 Choreographer in Residence: National Centre for Dance Dance, Base (Edinburgh, Scotland)
