EU/International induction: September 2018
5 years part-time
Part-time
£12,500 (INT) *
This course is now available in Clearing
Overview
Our four BA Fine Art degree pathways embrace fine art as an open discipline constructed from many different studio practices and a critical involvement with ideas, culture and society. You will explore a range of artistic practices (including installation, performance, painting, sculpture, printmaking, photography, digital arts, film and video) through making, research and critique. Our suite of BA degrees opens the door to a wide range of creative and professional possibilities.
Why study BA Fine Art at Middlesex University?
At Middlesex we have the facilities and the expertise to enhance your exploration of all kinds of art, from traditional forms like painting and sculpture to more contemporary approaches including digital arts, installation, and socially engaged practices. We place an emphasis on learning about art practice, history and theory through studio-based teaching and you will benefit from having an individual tutor as well as being part of a small, friendly peer group.
As a student, you will have the freedom to work independently within the tutorial framework so that you can develop self-discipline, experience of making and showing your work, and critical skills. This approach often leads to student-led collaborations, which contribute to the collective ethos of the course. Initiatives have included a range of exhibitions and events, and many collaborative groups have continued professionally beyond Middlesex.
Pathways
BA (Hons) Fine Art supports you in fulfilling your capacity for self-directed learning through the production of an ambitious body of work; you will explore the relationship between studio and exhibition, making and dissemination, and reflect on the role of different audiences.
BA (Hons) Fine Art Social Practice approaches art practice in its social contexts and offers you the opportunity to engage with a range of communities and institutions with the common goal of making a positive impact to the world around you.
BA (Hons) Fine Art Multimedia Practice supports you in expanding your creative practice and technical expertise with particular emphasis on viewer interaction, contemporary sound and video technologies and digital techniques.
BA (Hons) Fine Art Critical Practice is addressed to students who conceive of their art practice as involved in an in-depth and on-going dialogue with the critical, theoretical, philosophical and historical discourses that surround and inform it.
Course highlights
- Our outstanding facilities in The Grove, our specialist building for art, design, media and performing arts, are among the best in the country
- You are taught by practicing artists who exhibit and sell their work globally and work across a wide range of media including photography, painting, film, installation, sound and interactive art
- At the end of Level 5 (year 2) you have the option of our distinct pathways (BA Fine Art; BA Fine Art Social Practice; BA Fine Art Multimedia Practice; BA Fine Art Critical Practice), which reflect and benefit from particular areas of staff expertise and achievement.
- A regular Fine Art lecture series from visiting artists and curators provides insight into professional experience
- At the end of your degree you will exhibit your work at our Degree Show, a great opportunity to showcase your talents to the creative industry
- A flexible part-time study option and supportive staff mean it's easy to balance your studies with other commitments
- As a student of this course you'll receive a free electronic textbook for every module.
Course content
What will you study on the BA Fine Art?
Your first year concentrates on understanding and working with different models as a fine artist, ensuring you have exposure to all the different workshops and facilities available to you.
- You will be introduced to concepts of time and action, space and object, plus image and index in your studio practice
- In the second and third terms studio practice develops more individually
- Introduction to contemporary fine art practice and its history with short written assignments.
In your second year you will diversify and expand your skills, developing a deeper awareness of the critical demands of contemporary art
- You will develop your visual language as you experiment in your studio practice
- You will study visual culture, art and philosophy, and art and the community with a concluding written submission
- This year includes options to study on the international exchange programme or work on art projects in the community
- Your study culminates in an exhibition, where you will gain hands-on experience of curating and exhibiting.
Your final year of your degree enables you to consolidate and refine your art, developing your studio practice to a professional level.
- This year includes a professional practice seminar series, a research essay, and another opportunity to work on art practice in the community
- In tutorials you will focus on how clearly your visual language is communicated
- The second and third terms focus on bringing work to a professional level for a public exhibition (recently this has been at Truman Brewery, Brick Lane).
What will you gain?
Alongside developing your vision and skills as an artist, you will also develop a wide range of transferable skills including initiative, self motivation, resourcefulness, excellent written and verbal communications skills, ability to work both alone and in groups, and the ability to be reflective and constructively self-critical about projects you have initiated.
Modules
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Year 1
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Personal Development and Research (30 credits) - Compulsory
This module aims to provide you with models for understanding professional behaviours in Fine Art practice. Through a weekly programme of gallery visits, field trips, seminars and lectures, you will be given insight and understanding of the positionality of the contemporary artist .Interdisciplinary methodologies spanning art theory, history and visual culture will be used to enable you to analyse, debate and discuss the different subject positions and professional roles that have developed in relation to contemporary Fine Art’s production, curation, distribution and mediation.
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Exploring Practices and Ideas (90 credits) - Compulsory
This module aims to initiate the development of individual studio practice through material, technical and conceptual exploration. You will develop knowledge and skills across a range of forms of research as the basis for creative and critical practice. You will begin with an introductory studio project for all students, emphasising ‘critical thinking through creative making’ and comprising both workshop inductions and lectures. Lectures and seminars continue throughout the module to introduce key debates and ideas in contemporary fine art alongside a series of parallel project-based approaches to gaining experience in different practices. The module culminates with an exhibition of the body of work and enquiry built across the year.
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Year 2
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Professional Development and Reflection (30 credits) - Compulsory
This module aims to: emphasise strategies for professional practice and employability through in-depth study of contemporary art practices. It will support you in applying knowledge of research, production, distribution and curating in the development of both your own work and personal development planning. Through a weekly programme of seminars, gallery visits, field trips, workshops, screenings and presentations, you will be exposed to the multiple ways in which contemporary artists are documenting their research and production processes, and disseminating this to various audiences.
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Developing Practice and Theory (90 credits) - Compulsory
In this module you will undergo an intensive development of practice across the module in being challenged to develop a substantial body of individual research-led practice engaging in a wide variety of possible ways of making, thinking and doing. You will be working in a range of dedicated seminars, workshops and labs engaging with the key pathways of the programme and potentially leading to named awards (i.e. Fine Art, Critical Practice, Multimedia Practice, Social Practice.) There will be opportunities for public and professional engagement in the latter stages of the module, through forms of social engagement, online dissemination or gallery exhibition.
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Year 3
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Professional Practice and Curatorial Knowledge (30 credits) - Compulsory
The module aims to enable you to identify yourself as a particular type of practitioner, your ambitions for the future and strategies to sustain professional practice. Beginning with a workshop on ‘identifying your ambitions’, the module will use this information to design a programme of work corresponding to the particular needs and desires identified. You will record your professional development via an online journal (usually a publicly accessible blog) through which you collect material relating to your studies, research and developing practice.
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Fine Art Studio and Exhibition (90 credits) - Optional
Through committed and sustained studio practice and research, this module consolidates the work with professionalism and demonstrates a high level of technical alignment, competence and thinking. During this year the relation between practice and theory is further realised in and though the work of the studio. You are expected to be able to ‘frame’ your work and ideas in a way that is coherent and clear. Through one-to-one tutorials, group tutorials, critiques and attending guest lectures, you will continue to engage in a process of critical reflection on your own work and the work of others.You will be supported to produce an ambitious body of studio practice disseminated through public exhibition and encompassing a critical portfolio of rigorous and thorough research and commentary on the critical, theoretical and/or historical interests, underpinning the practice.
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Fine Art Critical Practice (90 credits) - Optional
This module emphasises the reading, engagement with, and writing of theoretical, critical, and creative texts as a practice through which art is produced, alongside other forms of making. You will develop an understanding of the range of different forms of writing open to artists as a means to support a critical and theoretically rich art practice. You will be able to demonstrate a focused and imaginative understanding of the relevance of current/historical discourses to your own practice and interests and relate studio and theoretical work in an imaginative, considered and creative way, reflecting on their distinction and unity.
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Fine Art Multimedia Practice (90 credits) - Optional
Through committed and sustained studio practice, this module will help you expand your creative practice and technical expertise with particular emphasis on viewer interaction, contemporary sound and video technologies and digital techniques. The central objective of this year is to support the above development and to provide guidance in forming a coherent ‘shape’ to your overall practice. Your development as an artist is supported through a self-initiated, critical research essay investigating an area arising from your practice/or your more general critical, theoretical and/or historical interest.
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Fine Art Social Practice (90 credits)- Optional
Your work will bring together skills and interests developed through studio practices and expanded across a variety of socially engaged situations. You will develop an art practice in direct relation to other people through a sustained project of collaboration, social engagement and/or community involvement, the results of which will constitute your degree show. The collaboration could be with other students, groups or organisations active within the community. The development of your artistic practice is supported by a self-initiated, critical research essay investigating an area arising from your practice and/or your more general critical, theoretical and/or historical interests.
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You can find more information about this course in the programme specification. Optional modules are usually available at levels 5 and 6, although optional modules are not offered on every course. Where optional modules are available, you will be asked to make your choice during the previous academic year. If we have insufficient numbers of students interested in an optional module, or there are staffing changes which affect the teaching, it may not be offered. If an optional module will not run, we will advise you after the module selection period when numbers are confirmed, or at the earliest time that the programme team make the decision not to run the module, and help you choose an alternative module.
Teaching
Entry requirements
Fees and funding
Careers
How can the BA Fine Art support your career?
Internationally recognised and respected, BA Fine Art is a broad degree that develops your creative and critical abilities. BA Fine Art is a route into a rewarding career as a professional artist but also helps you develop an extensive range of valuable transferable skills that can lead you in any number of directions after graduation.
Our Fine Art graduates are able to think strategically, work flexibly, be highly organised and use their initiative, as well as having excellent written and verbal communication skills so they are highly employable in a broad range of careers.
Past graduates have gone on to be successful in a number of fields for example working as an artist, curator, photographer, digital media professional, art therapist, teacher, lecturer, designer, researcher, writer, community art worker, gallerist, performer, media professional, entrepreneur etc. The course supports students to develop their independent thinking and problem solving skills, highly useful when entering the job market.
Bespoke professional practice modules allow students to gain the skills they need for their chosen fields and information about pathways into them. Many students will also have undertaken internships or placements in their chosen fields.
Facilities
The facilities, studios and workshops at our purpose-built Grove building on campus in North London are recognised as among the best in country. With a wide range of specialist workshops, digital media, equipment, software and library facilities on-site you'll benefit from unique levels of access to both the latest forms of technology and traditional tools with expert support to help you develop your work.
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Printing at Middlesex: Screenprinting
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Printmaking at Middlesex: Relief
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Printmaking at Middlesex: Lithography
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Printmaking at Middlesex: Etching
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State of the art printing equipment
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Art studio
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Life drawing workshop
Campus life
Staff profiles
Alice Maude-Roxby
Programme Leader BA Fine Art
Alice Maude-Roxby studied Fine Art at Newcastle, and Photography in the class of Dieter Appelt at the Hochschule der Kunste, Berlin. National and international grants and fellowships enabled her to research and make work abroad, including Deutscher Akademischer Austauschdienst (DAAD), Berlin, Leverhulme Trust, Norway, Japan Foundation, Tokyo, Arts and Humanities Research Council and Arts Council England in the UK. Initially working within a fine art context, her work was included in exhibitions at The Photographers’ Gallery, London, the Victoria and Albert Museum, and England & Co in the UK, and various galleries in Germany and Scandinavia. More recently she has focused on curating, photography and writing. She has been involved in an extensive body of work looking at the collaborative processes involved in the recording of performance.
Dr John Timberlake
Senior Lecturer in Fine Art
Dr Timberlake joined Middlesex University in 2007. A practising artist, he has exhibited widely and his work is held in a number of collections in Europe and the US. He gained his Ph.D. in Fine Art from Goldsmiths College, University of London, and is an alumnus of the Whitney Museum of American Art Independent Study Program.
Dr Loraine Leeson
Senior Lecturer, Art Practice and the Community
Dr Leeson is known for her collaborative and participatory work in East London, including the Docklands Community Poster Project in the 1980's. Her work with young people has been recognised by a Media Trust Inspiring Voices award and Olympic Inspire Mark, while her public artwork The Catch was voted a London 2012 Landmark. Her project Active Energy has received the Best Arts and Green Energy award from Regen SW.
Steve Mumberson MA (RCA)
Associate Professor in Painting and Printmaking, Programme Leader MA Printmaking
Steve Mumberson is a Fellow of the Royal Society of Painter Printmakers and a member of committee at the Printmaker Council. He has worked on printmaking collections around the world and has written on printmaking education, its practice and particular printmakers. Steve has won silver medals at the Master Cup and the Gold Panda contest and was awarded a Humorists' Prize at the 5th Red Man International Humour Art Biennale in Beijing. At present his main interests are in digital printmaking and 3D printing as well as combining these with traditional methods to make unconventional prints.
Alberto Duman
Lecturer in Art Practice and the Community
Alberto Duman’s interdisciplinary work is located at the intersection between art and urban spatial practice across diverse media and collaborative partnerships, with particular concerns to social context and the role of art in the cultural production of urban space. He is Artist in Residence at UEL with Music for Masterplanning.
Simon Read
Associate Professor, Fine Art
Simon Read is concerned with environmental change and works with coastal communities to help foster understanding of coastal and estuarine issues. He is also engaged in the management of the liminal intertidal zone. He has built experimental structures to manage tidal flow through saltmarsh, including A Tidal Protection Barrier for Sutton Saltmarsh on the River Deben in Suffolk and Falkenham Saltmarsh Tidal Management Scheme.
Dr Alexandra Kokoli
Senior Lecturer in Visual Culture-Fine Art
Dr Kokoli's interests are situated within feminist art history, theory and practice, particularly the relationship between feminism and psychoanalysis, gender politics of popular visual culture and contemporary feminist movements. She is author of The Feminist Uncanny in Theory and Art Practice (Bloomsbury, 2016) and editor of Feminism Reframed (Cambridge Scholars, 2008) and The Provisional Texture of Reality: Selected Talks and Texts by Susan Hiller (1977-2007) (JRP Ringier, 2008).
Student profiles
Contact us
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