Illustration BA Honours | Middlesex University London
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Illustration BA Honours

Learn about the course below
Code
W220
Start
October 2019
EU/International induction: September 2019
Duration
3 years full-time
Attendance
Full-time
Fees
£9,250 (UK/EU) *
£13,000 (INT) *
Course leader
Nancy Slonims

Illustration is everywhere, it surrounds us, from the books and magazines you read to the packaging on products you buy, to the content you look at online, you will see the incredibly diverse work of professional illustrators. In fact it is so much a part of most of our lives we often don’t realise how pervasive and all encompassing it is. However once you start to look at the exciting world of illustration you realise there are many opportunities, the variety of styles, processes and applications mean you can explore and experiment and develop your own individual approach to the discipline.

Why study BA Illustration at Middlesex University?

The BA Hons Illustration degree is an independent, studio based programme, which looks specifically at illustration as a profession. Few disciplines have such scope to explore the impact of visual communication. As an illustrator, you have the opportunity to be satirical, witty or poignant, to question the political wisdom of the day, to show the absurdities of our everyday lives, to delight and entertain, to describe and inform. When an illustration is working, one cannot imagine the message without it, it becomes an essential part of the communication. We hope our enthusiasm for the subject will enable you to gain a deep understanding and develop a passion for Illustration and that you graduate feeling confident in your ability to become successful in your chosen career.

For our BA Illustration degree we have created a studio space that is lively, stimulating and productive. There is a strong emphasis on drawing, both communicative and expressive, and your drawing skills will be developed through classes in life and observational drawing each week throughout your three years of study. Your individual visual work will be developed through a variety of themed projects and image-making processes including print making, animation, typography, bookbinding and digital media.

Course highlights

  • You will be taught by experienced professional artists
  • We provide each student with an individual work place, something we have identified as essential to the creative happiness of our students
  • We are based in The Grove, an £80m state-of-the-art learning facility with art editing and digital publishing labs
  • Visiting illustrators, agents, publishers and designers come to our campus to show their work and discuss your portfolios - some students will get the opportunity to get work or be published before they graduate
  • In your second and third year, you'll be entered for competitions such as the Macmillan's Children's Book Prize
  • At the end of your degree, you will exhibit your work at our Degree Show, which is a great opportunity to show off your talents to creative industry employers
  • As a student of this course you'll receive a free electronic textbook for every module.

Find out more

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What will you study on the BA Illustration?

On BA illustration you will be taught specific creative skills and processes such as, printmaking, animation, bookbinding, relevant digital programmes and drawing both life and location. The course concentrates on contemporary applications and traditional illustration processes and the success of our graduates in both international competitions and employment in the creative industries is testament to this approach.

In your first year your projects and workshops are centred on exploration, interpretation, and communication. These core activities are supported by sessions on printmaking, animation and observational drawing. By your second year you will be well placed to begin expanding your knowledge of illustration through professional and personal projects so you can develop an individual visual language. The final year's emphasis is on consolidation of skills and the production of a professional portfolio.

Modules

  • Year 1

    • Illustration/Graphics: Visual Communication Workshops 1 (30 credits) - Compulsory

      This module aims to provide an opportunity to explore a variety of different graphic media and understand the value as methods of visual communication. It aims to encourage an inventive and experimental response to the use of processes and materials in workshop areas which within BA Hons Illustration include printmaking, animation, digital illustration and book binding. The module also aims to offer you the opportunity to learn a range of transferable practical and technical skills in art and design, through material handling, exploration of process, production and presentation.

    • Introduction to Illustration (120 credits) - Compulsory

      This module aims to establish essential thinking and communication skills to enable you to explore, understand and utilise illustration as a possible career. You will establish visual perception, research and study skills and consider issues and concerns common to art and design as a basis for further development in this field. You will develop an understanding of how personal working methods and approaches, are critical to the subject and the development of a personal visual language and to encourage exploration in illustrative technical processes, media and materials as a way of investigating visual communication.

    • Understanding Communication Arts (30 credits) - Compulsory

      This module aims to encourage you to question how practitioners from Visual Communication Design the Communication Arts (here understood as Photography, Illustration and Graphic Design) both shape, and are shaped by, our material world. It will extend and deepen your understanding of the relationship between your developing practice and the practices that have developed at other times and at other places. With particular reference to the Communication Arts of the modern and postmodern periods, and using resources available in London, we aim to encourage an appreciation of how the design and consumption of Visual Culture is intimately bound up with cultural change. You will be enabled you to place the history of communication arts and their own practice within the broader contexts of the histories of art and design, and to understand these in turn in their relation to the histories of society, culture and ideas. The module will also enable you to apply a range of critical approaches in order understand a range of images, texts and objects.

  • Year 2

    • Illustration Practice (60 credits) - Compulsory

      This module aims to further encourage the development of a personal way of working and to establish a coherence in processes of image production and visual identity. You will develop working processes that utilise enquiry, analysis and research techniques in relating a visual solution to the objectives of a brief. You will demonstrate a confidence in articulate, critical analysis and discussion. The module will introduce and develop an awareness of historical and contemporary illustration practice and introduce professional levels of practice and presentation through participation in external illustration competitions.

    • Illustration/Graphics: Visual Communication Workshops 2 (30 credits) - Compulsory

      This module aims to develop an understanding of specialist subject areas of creative practice through studio and workshop based activities. It enables you to develop individual approaches to visual communication and to begin to identify broad areas of interest that could form the basis for further specialist study on your programme. It will encourage the acquisition of intermediate specialist skills to work effectively in creative workshop areas chosen from within BA Hons Illustration; life drawing, animation, reportage, screen printing, etching, lino printing, monoprinting, and stone lithography. The module aims to further develop skills in using creative processes analysing, evaluating visual pieces of work and presentation methods.

    • The Visual Activist (30 credits) - Compulsory

      This module aims to provide students of Illustration and Graphic Design with a broad understanding of Critical Theory with a view to arming and empowering you for engagement with the political and social context in which design practice takes place. You will be introduced to concepts from Critical Theory and Cultural Studies as well as to the application of these theories and concepts to practice within your own discipline and the wider cultural sphere. Emphasis will be placed on the engagement of the practitioner with current political and social debates and on an understanding of the role of the designer in shaping opinion and taking a political stance. The module will promote discussion and debate as key elements in the consideration of the context of illustration and design practice and seek to foster your capacity for the discussion of ideas in both spoken and written expression. It will also encourage you to develop an activist voice and to understand the potential of your area of practice in making a contribution to political action and debate and to civil society. It should prompt you to see yourself as a citizen designer and illustrator with an active role to play in society and the political process.

    • Illustration: Collaborations, Collectives, Research and Professional Development (60 credits) - Compulsory

      This module takes an interdisciplinary approach to the critical study of historical and contemporary illustration practice. You will have the opportunity to specialise in an extended range of visual communication workshop subjects over the year, selected from printmaking, moving image and animation, interactive and relevant digital and internet formats, life and observational drawing sessions are provided weekly. Projects will cover a broad range of themes including (but not limited to) ecology and environmentalism, globalisation, identity politics, intersectionality and urbanism.

  • Year 3

    • Illustration Major Projects and Portfolio (60 credits) - Compulsory

      This module aims to reinforce and extend previously acquired skills in pursuing specialist illustration projects from analysis and research through to image production, presentation and final critical evaluation. You will consolidate a professional approach to pictorial and non-pictorial communication skills and work in an increasingly independent and self directed way. The module will encourage the use of collaborative and interdisciplinary consultation and develop your understanding of professional and/or statutory issues informing your discipline, the illustration process and your specific projects. You will be encouraged to audit and articulate your practice in relation to the different fields of knowledge - design and communication, professional practice, technologies and processes, history and theory - developed throughout your studies for the major project.

    • Critical and Contextual Research Project (30 credits) - Compulsory

      This module aims to enable you to identify and deliver a research project related to your studio practice. The project will involve an analytical engagement with a range of research resources in order to have a greater understanding of an aspect of studio practice through its historical, theoretical and social contexts. The module will consolidate the development of skills of project identification, research organisation and development, time management, visual analysis and critical argument. You will extend your ability to think creatively about the presentation of conceptual, critical and contextual material in both written and visual form. You will further consolidate the development of skills required for autonomous learning.

    • Illustration: Professional Practice and Context (60 credits) - Compulsory

      This module reflects recognition of the need for BA illustration graduates to be well prepared professionally to meet the requirements of the creative industries. In order to succeed you will need to be aware of the contextual and ethical issues relevant to today’s practitioners.  The module is designed to allow you the opportunity to work on a wide variety of visual communication problems that will be recognised, understood and appreciated by potential employers.

You can find more information about this course in the programme specification. Optional modules are usually available at levels 5 and 6, although optional modules are not offered on every course. Where optional modules are available, you will be asked to make your choice during the previous academic year. If we have insufficient numbers of students interested in an optional module, or there are staffing changes which affect the teaching, it may not be offered. If an optional module will not run, we will advise you after the module selection period when numbers are confirmed, or at the earliest time that the programme team make the decision not to run the module, and help you choose an alternative module.

  1. Overview
  2. Teaching and learning
  3. Assessment and feedback
  1. UK & EU
  2. International
  3. Interview and portfolio
  4. How to apply
  1. UK & EU
  2. International
  3. Additional costs

Illustration has an excellent record of success in many national and international competitions including Corban Wilkin winning first prize in the 2012 Observer/Jonathan Cape/Comica award and Ben Hendy who was joint runner up in the Mall Galleries, Threadneedle Prize. We have won many yellow pencils in the D&AD and been shortlisted for the Folio Society and Macmillan children's book prize.

Take a look at our blog for some of the stellar work created by our Illustration students, and follow us on Twitter for regular updates.

Current work

RAF Collaboration

To mark the Centenary of WWI, Illustration staff and students worked for two years on a collaborative project with the RAF Museum in Hendon. The students worked extremely hard to tell the stories in an exiting but challenging format and in a way that made them relevant to today’s audience whilst maintaining historical accuracy. The resulting work is an online 'animated' graphic novel telling the history of the RAF aerodrome, from its earliest days to the present day, told through 9 illustrated stories from different periods of time and an illustrated landing page.

They cover a story about young women in 1919 loosing their important wartime jobs as men return from the front. There is a story about the WAAF stationed at the base in 1943 and another about young men invalided out of the RAF re-applying for flying jobs at the base in 1946.

The RAF museum received lottery funding as part of a very large regeneration project and this project was identified as an important part of the outreach programme. Please visit the RAF museum website to view this project in it's completion and have a look at our gallery of student work.

High Spec

In February 2018, the Walthamstow Village Window Gallery hosted "High Spec", an exhibition showcasing a selection of innovative, award winning work by some of our recent graduates. They all have their own visual language but are joined by a love of storytelling. Chloe Smith’s beautiful and lurid images tell the tale of how Antwerp got its name, Nakim Brown unfolds the history of the universe in a glowing graphic novel, and Summer Du Plessis unpicks Bowie’s Star Man in luminous print. Awarded a D&AD prize for best show at New Blood, the exhibition includes risographs, drawings, screen prints, linocuts and digital paintings.

Past works

In March 2016, students illustrated first lines of famous books for an exhibition at The Poetry Cafe in London's Covent Garden. The exhibition, 'Beginnings and Endings', showcased the breadth of talent and range of styles seen in our students' work.

Final year students created an illustrated memory game which was unveiled at the 2015 end-of-year degree show at London's Truman Brewery. The circus-themed game comprises 30 pairs of tiles, each created by a different artist.

Summer du Plessis exhibited at the London Transport Museum, with an artwork shortlisted for the museum's Prize for Illustration 2015: London Places & Spaces. The brief for the competition was to capture London's quirks and unique qualities through drawing. Summer drew and painted the Abbey Mills Pumping Station in Stratford, an elaborate Byzantine-style building which operated as a pumping station until very recently.

Graduate Salome Papadopoullos, whose distinctive illustration style is garnering her much attention, was shortlisted for the Penguin Random House Design Adult Non Fiction Cover Award. Her proposed design for Jeanette Winterson's 'Oranges Are Not the Only Fruit' translates a motif from the story into a striking cover image reminiscent of washing hanging on a line.

Our image gallery

Watch our student videos

How can the BA Illustration support your career ?

On our BA Illustration course there is an emphasis on identifying specialist skills, and equipping students with the knowledge to enable them to set up studios, approach agents or produce websites in order to embark on their future careers. There are specific lectures and visiting illustrators, agents and publishers to inform students of the issues involved. Our students gain work in writing and illustrating children's books, magazine publishing, editorial illustration, advertising and design.

BA Illustration at Middlesex equips you with the specialist skills and knowledge to enable you to set up studios, approach agents or produce websites as you embark on your future career. Typically students gain work in writing and illustrating children's books, magazine publishing, editorial illustration, advertising, design and animation.

Middlesex has strong links with art and design employers. Our industry partners sponsor final year students and give visiting lectures, and hundreds of art and design agencies, organisations and other employers attend our final year degree show each year.

Student success

Illustration has an excellent record of success in many national and international competitions. We have won many yellow pencils in the D&AD, including 2016 graduate Nicole Cowan who was awarded best in show and have had students shortlisted for the Folio Society, Macmillan children's book prize and Ben Hendy was joint runner up in the Mall Galleries, Threadneedle Prize.

Our graduates have also gone on to find success upon completing the course. Graduate Amber Cooper-Davies’ animation ‘The Nuclear Age in Six Movements’ was shortlisted for the 2016 WIA awardsAlex Foster was awarded the New Talent Advertising Prize at the 2015 WIA Awards. Other successes include Fay Brown who was selected for the Royal Watercolour Society’s 2017 exhibition. Ben Hendy who was joint runner up in the Mall Galleries, Threadneedle Prize.

Here are just a few more notable mentions:

Corban Wilkin

Corban Wilkin is a cartoonist and illustrator based in London. He was the winner of the 2012 Cape/Observer/Comica Graphic Short Story Prize for his comic But I Can’t and was nominated for the 2014 British Comic Awards in the Emerging Talent category for the graphic novel Breaker’s EndHis most recent book is the 2018 graphic novel Grand Theft Horse, written by G. Neri and published by Lee & Low Books. Aside from his graphic novels, his range of illustration work includes magazine graphics, story illustrations, video game art, and animations.

Summer du Plessis

While studying at Middlesex, Summer was shortlisted for the Prize for Illustration 2015: London Places & Spaces and her artwork was exhibited at the London Transport Museum. The brief for the competition was to capture London's quirks and unique qualities through drawing. Summer drew and painted the Abbey Mills Pumping Station in Stratford, an elaborate Byzantine-style building which operated as a pumping station until very recently.

Eva Strassburger

During her 2nd year Eva, was one of the winners of the 2015 Worldwide Picture Book Prize. Organised by Walker Books and the International Centre for the Picture Book in Society, the competition takes submissions from all over the world. Eva's children's book 'Poor Dragon Willy Dinkywing' is a picture book and colouring book in one and tells the story of a dragon with a cold who needs to learn to breathe fire again. Eva's work is now part of a touring exhibition and is featured in a catalogue presented to publishers at international book fairs.

Salome Papadopoullos

Graduate Salome, whose distinctive illustration style is garnering her much attention, was shortlisted for the Penguin Random House Design Adult Non Fiction Cover Award. Her proposed design for Jeanette Winterson's 'Oranges Are Not the Only Fruit' translates a motif from the story into a striking cover image reminiscent of washing hanging on a line.

Take a look at our blog for some of the stellar work created by our Illustration students, and follow us on Twitter for regular updates.

The facilities, studios and workshops at our £80 million purpose-built Grove building on campus in North London are recognised as among the best in country. With a wide range of specialist workshops, digital media, equipment, software and library facilities on-site you'll benefit from unique levels of access to both the latest forms of technology and traditional tools with expert support to help you develop your work.

Illustration students have access to all the University’s excellent workshops but in our particular specialism we regularly use the Printmaking workshop, Digital Media workshop, photographic studios, 3D and laser-cutting workshops. Many of the activities in these areas are embedded into the illustration curriculum and students are able to explore and develop their work through an understanding of these applied processes.

Nancy Slonims
Programme Leader

Full time lecturer in Illustration. Graduated from Middlesex and the Royal College of Art. Worked for Pentagram, currently combining teaching with freelance illustration practice for publishing, packaging and editorial clients such as, Campaign Magazine, Pan Books, BBC Panorama, British Airways, and Chase Manhatten Bank. www.nancyslonims.co.uk

Andrew Baker
Senior Lecturer - Illustration

Lecturer in Illustration for editorial and design. Graduated from the Royal College of Art. Currently combining teaching with freelance practice for magazines, newspapers and design consultancies. Curator of the collaborative illustration exhibition, 'SHED' and winner of the Association of Illustrators Gold Award for editorial illustration. www.debutart.com.

Paul Barritt
Lecturer

Paul has a particular interest in traditional and digital animation. He balances his teaching with a busy freelance career working as an animator and illustrator and has produced a series of ground breaking shows combining live-action theatre and animation with his troupe 1927.  They recently returned to the Berlin Komische Opera House with a double bill of Stravinsky’s Petruschka and Ravel’s L’enfant Et Les Sortilèges. Paul is the winner of 7 awards including Edinburgh Festival Fringe First 2007 and currently tours all over the world with 1927.

www.paulbarritt.com

www.19-27.co.uk

Aldous Eveleigh
Programme Leader

A fine artist, who paints pictures, makes films and audio works. He gained a BA in illustration/printmaking from Bristol Polytechnic in 1974 and an MA in painting from the Royal College of Art in 1984. Since 1976 he has been holding one-person and group exhibitions each year at home and abroad and has been nominated for the D&AD award for illustration in 2001 and 2004. http://www.aldouseveleigh.com.

Martin Ursell
Senior Lecturer in Illustration

Martin Ursell has illustrated many picture books for children, including the award-winning Song of Pentecost by W. J. Corbett. He has illustrated stories by Roald Dahl, Marina Warner, Ted Hughes, Pippa Goodhart, Linda Jennings and Dick King Smith and as well as the bestselling Gruesome series. Martin was a regular illustrator for Jackanory and visiting illustrator for The National Federation of Children’s Books, South East Arts and Kent Young Peoples Services. His own story Hairy Hairywas televised by the BBC. He was the author and illustrator of the popular Draw books published by b small and he is currently working on an epic, three-part graphic retelling of the Reynard the Fox stories that date back a millennium. Martin wrote Illustrating Children’s Books for the Crowood Press in 2013, currently in its third edition, and a companion text Keeping Sketchbooks published in 2016.

  • Alex Foster

    Illustration BA graduate

    In 2015, Alex received the World Illustration Award for Advertising (New Talent) in recognition of his Totally Thames campaign.

    Since leaving the Illustration course at Middlesex I've been working on a variety of different projects and developing my products.

    One of the first big projects fresh from university was a book called The Poetry Train which I worked on with the Poetry Society. The book is a free resource for primary school teachers. This was distributed to many primary schools throughout the country and is based on brilliant poems by top poets such as Carol Ann Duffy and Jackie Kay. This project was made possible through previous exhibitions and links with the Poetry Society that were gained at Middlesex.

    My biggest and most widely seen project to date was a poster campaign with Totally Thames. This was the main advertising campaign for the event and featured in 250 London tube stations, 500 National Rail stations and 10,000 brochures. Another great print project was with artist Amena Menia for the Folkestone Triennial. Undélaissé is a bread recipe book based on recordings of people from around the world who currently live in Folkestone.

    After sending out postcards and contacting Art Directors I managed to secure a commission with one of my favourite illustration-driven magazines, Anorak. This was posted by me and Anorak on Instagram, which led to my House Portrait service being featured on the Guardian Christmas gift guide and ITV's This Morning. Since this exposure I have had my products stocked in more shops and online retailers, like Not On the High Street, Artfinder and The Lost Lanes. I hope to continue to push my business with strong branding, packaging and new personalised products in the future. Exciting stuff in the works!

    Other areas of work include working with Animate and Create on two animations, working on print editions with the Turner Contemporary, and personal print projects like wedding maps and area illustrations.

  • Corban Wilkin

    Illustration BA graduate

    I chose Middlesex University mainly because of the quality of the course. The degree programme seemed to be exactly what I was looking for compared to what other Universities were offering as most courses just seemed to focus on the fine art aspect while Middlesex was very much about illustration and how to actually draw.

    The course taught me the practical skills that I have today. All of the tutors were actual illustrators so they really knew what they were talking about. The number one aspect of the course for me was the life drawing lessons. That was where I learned the most, particularly because we had such a great life drawing lecturer."

    Winning the Cape award would be my highlight to date. The key to success, I think, was that it was the fourth time I'd entered, so it came down to sheer persistence. If you have persistence you can do anything! It's hard to get yourself out there but it is incredibly enjoyable if you are into it.

    Currently I am really focusing on publishing my debut graphic novel Breaker's End. I have illustrated for magazines and I also get a lot of personal commissions, often from people looking for fan art. I have had a lot of interest from publishers who want to work with me but I just need to hone what I am producing to make it more 'sellable'. I'm also doing short comics for a couple of clients.

  • Alex Moore

    Illustration BA graduate

    I had a look round the Illustration department during an open day and was blown away by the quality of the work on show. It was clear that the students had been given the chance to develop their own voices. I really enjoyed how closely knit the course felt. Everyone had their own desk space and we were encouraged to work in the studio every day. It was a supportive environment where you could always bounce off your peers.

    Recently, I've been producing flyers and banners for Rumpus. They organise bi-monthly parties that are like mini, pop-up festivals and for their last party I produced background pieces for their main stage. I also helped organise an exhibition celebrating the life and works of Lewis Carroll and have more shows planned.

    I honestly think that applying for the course was one of the best decisions I've ever made. I honed my own practice and had the opportunity to learn how to animate, screen and lino print, etch, use programs such as illustrator and build a website. I also got to visit New York, Rome and Antwerp on the annual drawing trips. If you're prepared to give it your all, there's so much to get out of it in return.

    Find out more about Alex and her work.

Other courses

Graphic Design BA Honours

Start: October 2019, EU/International induction: September 2019

Duration: 3 years full-time

Code: W210

Animation BA Honours

Start: October 2019

Duration: 3 years full-time

Code: W615

Fine Art BA Honours

Start: October 2019, EU/International induction: September 2019

Duration: 3 years full-time, 5 years part-time

Code: W101

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