Helen's work was selected for New Contemporaries in 1998 and since then she has been exhibiting internationally (inc. Yvon Lambert, Paris, Kari Kenetti, Helsinki and the Centre for Photographie in Geneva). Her films and video works have also been shown at international festivals and screening events including the Commonwealth Film Festival, the Lux and the international Film Festival 700IS, Iceland, in which her film The Pack was shortlisted for the 'Alcoa' prize.
In 2001 she won the coveted Fondation CCF pour la Photographie prize and her work is held in collections including the National Gallery of Australia, the Arts Council of England and the Fonds National d'Art Contemporain, France. In 2005 Helen was awarded The Conversation Gap Award commissioned by Career Innovation (Ci), working on narrative-based projects with some of the world's leading businesses.
Working predominantly in film, her practice is anchored around intimate narratives: often understated or tacitly conveyed, and the visual exploration of the relationship between physical and psychological space. Recently, Helen has been working on projects that extend these explorations of space across various projects that have taken a site-specific focus, working in AR, locative audio and film installation.
In her teaching on the MA and BA(Hons) film programmes Helen works with:
Helen has just completed her PhD: The Artist as Historyteller in Museum and Heritage Sites.
Helen's role as Research Artist with Vivacity2020, and AUNT-SUE was to work alongside architecture/urban design researchers at University College London, London Metropolitan University, Salford University and Sheffield University, looking creatively at issues such as housing, security, people's perceptions of safety, and street design etc.
This project was funded by the Engineering and Physical Sciences Research Council, and was exhibited as part of London Architecture Biennale, 2006 and Urbis, Manchester , 2007. The work was subsequently shown at Cube, Manchester, 2007; Babylon Gallery, Ely, 2008 and Reykjavik Art Museum, 2009.
The Raising of the Dornier Do17
Bendon has been working with Andy Bardill, Kate Herd and Bob Fields (from Middlesex University's design and innovation centre redLoop) on a partnership project with the RAF Museum, Hendon on raising the Dornier Do 17, the last known surviving light bomber of its kind from WWII.
The plane was raised from the Goodwin Sands in the summer of 2013 and is being stabilised at present. The team has devised a media and exhibition strategy to engage the public through the stages of the process from the lifting of the plane from the seabed to its final resting place in the museum. Bendon is currently writing a bid to further this project, looking at the role creative enquiry can play in engaging museum visitors with complex, competing and contradictory narratives around artifacts.
This project was funded via RAF Museum sponsors http://rafmuseum.mdx.ac.uk/dornier17/
Working with Middlesex colleagues Dr Maggie Butt and Dr Magnus Moar on Time Stands Still, Helen led a locative audio experience for Alexandra Palace to explore the narratives around the Palace's use as a prison camp in the First World War. The locative experience is available via an app for members of the public to hear the letters, memoirs and dramatisations of accounts of prisoners and soldiers based at the camp, alongside poems by Maggie Butt from her book Ally Pally Prison Camp, which evoke some of the complexities of internment.
Download it for free:
Helen has previously worked as a Research Artist with Vivacity2020, and AUNT-SUE, two large EPSRC-funded research projects to explore and interrogate the project research strands from a creative perspective, and interested in working with these established methods on other projects to push the boundaries and also the dissemination of academic research.