Katy Deepwell joined Middlesex University in August 2013 as Professor of Contemporary Art, Theory and Criticism.
She is an art critic and writes art history and art criticism about 20th and 21st century art with a specialism in feminist art criticism and theory about contemporary women artists. She has been teaching in higher education since 1986, including academic posts as: Head of Research Training and Reader in Contemporary Art, Theory and Criticism, University of the Arts, London (2004-2010) Research Fellow in Art and Design Department at University of Ulster, Belfast (1999-2002) Senior Lecturer in Art Theory at Oxford Brookes University (1995-1996) In addition, she has taught at many other colleges and Universities including:- Goldsmiths College, University of London; University of Copenhagen; Farnham (now UCCA); Canterbury and Maidstone (once KIAD, now UCCA). She was a Leverhulme Research Fellow in 2008-2009. She is the founder and editor of n.paradoxa: international feminist art journal (started in 1998).
She has a PhD in Art History from Birkbeck College, University of London, MA Social History of Art, University of Leeds, BA (Hons) Fine Art (Painting) St Martins School of Art.
Katy Deepwell works with PhD students and teaches on the MA Fine Art and the second year BA Fine Art.
All-Women Art Spaces in Europe in the Long 1970s (co-edited with Agata Jakubowska) (Liverpool University Press, 2018). ISBN: 978-1786940582.
Women Artists in Britain Between the Two World Wars: 'A Fair Field and No Favour' (Manchester University Press, September 2010) ISBN 978-0-7190-8080-7
Dialogues: Women Artists from Ireland. (London: IB Tauris, 2005). ISBN 1-85043-621-5
Ten Decades: The Careers of Ten Women Artists born 1897-1906, Exhibition Catalogue of Arts Council Touring Exhibition, Norwich Gallery, NIAD, April 1992, ISBN 1-872482-05-8.
Her edited / co-edited books include: (co-edited with Mila Bredikhina) The Gender, Theory and Art Anthology: 1970-2000 (Moscow: Rosspen Publishing House, 2005) ISBN: 5-8243-0595-1
Editor of Women Artists and Modernism(Manchester University Press, June, 1998) ISBN 0-7190-5082-0
Editor of Art Criticism and Africa (Saffron Books, July 1997) ISBN 1-872843-13-1
Editor (& introductory essay) New Feminist Art Criticism: Critical Strategies (Manchester University Press, 1995) ISBN 0-7190-4258-5
Doctoral students welcome in the following areas of : fine art (practice and theory); art theory and criticism; feminist art history, criticism and curation. She welcomes projects which want to explore feminism, trans-nationalism and international collaborations and ideas in contemporary art practices.
Deepwell, Katy (2020) Feminist interpretations of witches and the witch craze in contemporary art by women. The Pomegranate: The International Journal of Pagan Studies , 21 (2). pp. 146-171. ISSN 1528-0268
Deepwell, Katy , ed. (2020) Feminist Art Activisms and Artivisms. Plural . Valiz, Amsterdam, The Netherlands. ISBN 9789492095725
Leeson, Loraine (2020) The things that make you sick. In: Feminist art activisms and artivisms. Deepwell, Katy , ed. Plural . Valiz, Amsterdam, The Netherlands, pp. 228-235. ISBN 9789492095725
Deepwell, Katy (2020) Art criticism and the state of feminist art criticism. Arts , 9 (1). ISSN 2076-0752
Deepwell, Katy (2019) n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. In: Strategies for resisting sexism in the academy. Crimmins, Gail , ed. Palgrave Studies in Gender and Education, XXV . Palgrave MacMillan, UK, Australia, pp. 153-168. ISBN 9783030048518
In 2008-2009, Katy Deepwell was a Leverhulme Research Fellow, for a 9-month research sabbatical from UAL.
In 2010, her book Women Artists Between the Wars (Manchester University Press) was funded by a publishers grant and an author's grant for illustrations from the Paul Mellon Foundation for British Art.
Katy Deepwell is editor-in-chief and founder of n.paradoxa: international feminist art journal (1998-2017)
She is Managing Editor of KT press, which publishes n.paradoxa and ebooks on contemporary women artists.
She was President of the International Art Critics Association (British Section) between 1997-2000 and a member of the International Committee of this UNESCO NGO for several years.
She is regularly asked to be a peer reviewer for journals and book publishers, working on visual arts/ art history topics.