Dr Chris Dromey joined Middlesex University in 2005, having previously taught at the Open University, the Royal Opera House, King's College London and Birkbeck College, University of London. His principal areas of expertise are music in the twentieth- and twenty-first centuries, music theory and analysis, and the classical music industry.
Author of The Pierrot Ensembles: Chronicle and Catalogue, 1912-2012, Chris has also published on Benjamin Britten, Alexander Zemlinsky and Peter Maxwell Davies, and is currently co-editing a volume for Routledge on The Classical Music Industry.
Besides email, you can find Chris on Twitter or Facebook, where he oversees a forum for students of the programme he leads, BA Music Business and Arts Management. Chris also organises Music's Concerts and Colloquia, a Tuesday evening series open to the public featuring musicologists, figures from the music industry, performers and composers.
BMus in Music at Goldsmith's College, London
MMus in Music Theory and Analysis at King's College, London
PhD on The Pierrot Ensembles at King's College, London
GCAP (Academic Practice) at King's College, London
Inglis, Brian (2018) Classical music, copyright and collecting societies. In: The Classical Music Industry. Dromey, Christopher and Haferkorn, Julia , eds. Routledge Research in Creative and Cultural Industries Management . Routledge, New York & Abingdon, pp. 7-31. ISBN 9781138203693
Kwok, Glen and Dromey, Christopher (2018) On Classical Music Competitions. In: The Classical Music Industry. Dromey, Christopher and Haferkorn, Julia , eds. Routledge Research in Creative and Cultural Industries Management . Routledge. ISBN 9781138203693
Dromey, Christopher (2018) New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99. Tempo, 72 (284). pp. 52-67. ISSN 0040-2982
Dromey, Christopher (2016) Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. In: 57th Little Missenden Festival: Post-interval talk, 07-10 Oct 2016, Little Missenden, United Kinkdom.
Dromey, Christopher (2017) A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. In: Musical Modernism and the Commedia dell'arte, June 2017, City, University of London, United Kingdom. (Accepted/In press)
External Examiner for Royal Holloway, University of London, International Foundation Year (Music), 2014–present
Link Tutor for SAE Institute, BA/BSc Music Business programme, 2015–present
Link Tutor for Open University Hong Kong, BMus Popular Music programme, 2010–15
External Assessor for the validation of BA Popular Music at the Royal Northern College of Music, 2013